Tekst/auteurs: Wouter Davidts
isbn: 978-90-78088-49-3   ..  € 25,00  .. koop publicatie

-Over de complexe relatie tussen kunst, architectuur en het museum
-Maakt de balans op de vijftig jaar bouwen aan nieuwe musea voor hedendaagse kunst
Wouter Davidts investigates the connection between architecture, the museum as an institution, the museum programme and art. The museum architecture is deployed in a variety of different ways: as an autonomous icon, as a flexible ‘shed’, as a PR instrument, as a memory machine, as a stimulus to urban renewal, as a landscape theme, as a political trump card, as a storage depot for artefacts, as an artist's working place, etc. With many case studies: Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, Centre Pompidou, Tate Modern, etc. verder
vis-à-vis series
The vis-à-vis series provides a platform to stimulating and relevant subjects in recent and emerging visual arts, architecture and design. The authors relate to history and art history, to other authors, to recent topics and to the reader. Most are academic researchers. What binds them is a visual way of thinking, an undaunted treatment of the subject matter and a skillful, creative style of writing. Series design by Sam de Groot. Formerly published: Sophie Berrebi, The Shape of Evidence, and Janneke Wesseling, Of Sponge, Stone and the Intertwinement with the Here and Now terug
Triple Bond — Essays on Art, Architecture and Museums
vis-à-vis serie .. Grafisch ontwerp: Sam de Groot .. 264 blz.. Engels