- Economic beginnings/concepts explained in an accessible way for designers, without jargon
- With examples from the practice of six design collectives that try to dismantle the relations between capitalism and design
- A source of inspiration for everyone in the design field: students, designers, educators (just like Ruben Pater's previous book, The Politics of Design (2016))
- Features examples of design practices that challenge capitalism
August 2021, Valiz | Pb, 18,4 x 11,7 cm (h x w) | 552 pp. | English | ISBN 978-94-92095-81-7
Ruben Pater (1977, NL) was educated as a graphic designer, worked in several design studios, also independently, and as an educator (e.g. MA Royal Academy of Art, The Hague). With Untold Stories Pater makes critical work on the edge of graphic design, journalism and activism.
CAPS LOCK is an inspirational book full of sources for design students, educators and visual communicators all over the world, just like Ruben's first book The Politics of Design (BIS, 2016). www.untold-stories.net; @unlisted_roots; @capitalslock
Press and Events related to CAPS LOCK
Click here to watch the online book talk with Ruben Pater on CAPS LOCK, hosted by Index, NYC (October 1st 2021)
Read 'In CAPS LOCK, Ruben Pater Untangles the Relationship Between Graphic Design and Capitalism', a review of CAPS LOCK, by Chris Westcott for AIGA, Eye on Design (published September 23rd 2021)
Capitalism could not exist without the coins, notes, documents, graphics, interfaces, branding and advertisements; artefacts that have been (partly) created by graphic designers. Even anti-consumerist strategies such as social design and speculative design are being appropriated within capitalist societies to serve economic growth. It seems that design is locked in a system of exploitation and profit, a cycle that fosters inequality and the depletion of natural resources.
CAPS LOCK uses clear language and striking visual examples to show how graphic design and capitalism are inextricably linked. The book contains many case studies of designed objects related to capitalist societies and cultures, and also examines how the education and professional practice of (graphic) designers supports the market economy and how design practice is caught within that very system.