UNLICENSED
Bootlegging As Creative Practice
- Explores many layers of high and low culture and how bootlegging is employed as a creative force
- Sparks innovative, cross-disciplinary artistic processes
- Accessible and versatile reads, beautiful visuals
- Geselecteerd als één van De Best Verzorgde Boeken van 2023!
Auteur: Ben Schwartz
Ontwerp: Ben Schwartz
Interviews met: A March Issue (Line Arngaard & Sonia Oet), Babak Radboy, Clara Balaguer & Czar Kristoff, BLESS (Desiree Heiss & Ines Kaag), Boot Boyz Biz, Akinola Davies Jr, Eric Doeringer, Experimental Jetset (Marieke Stolk, Erwin Brinkers, Danny van den Dungen), Elisa van Joolen, Hassan Kurbanbaev, Urs Lehni & Olivier Lebrun, Jonathan Monk, Matt Olson, Online Ceramics (Elijah Funk & Alix Ross), Mark Owen, Printed Matter (Jordan Nassar & Christopher Schulz), Nat Pyper, Hassan Rahim, Shanzhai Lyric, SHIRT, Oana Stanescu
Oktober 2023, Valiz met Source Type | ondersteund door Stimuleringsfonds Creatieve Industrie; Prins Bernhard Cultuurfonds | pb | 18 x 11,5 cm (h x b) | 432 blz. | Engels | ISBN 978-94-93246-29-4 | € 25,00
Ben Schwartz (1988) is a graphic designer and editor based in New York. He collaborates with several graphic design studios in the cultural sector across a variety of media.
In de media:
- Lees hier de recensie van Claire Koron Elat in 032c Issue #45 (Juni 2024)
Over the last few decades the term ‘bootlegging’—a practice once relegated to smugglers and copyright infringers—has become understood as a creative act. Debates about homage, appropriation, and theft that are common in the art world, are now being held in the spheres of corporate branding, social media, and the creative industry as a whole. Today, bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T-shirts, publishing ideologies, to acts of high fashion détournement.
UNLICENSED contains twenty-one interviews with a range of creative practitioners on the topic of bootlegging. The conversations in UNLICENSED investigate bootlegging’s creative and critical potential, and explore new ways bootlegging can be deployed in order to thrive as an impactful cultural force.